This work has been identified as being in the public domain in Canada and the United States, as well as countries where the copyright term is life+50 years. However, this work is not in the public domain in countries where the copyright term is life+70 years (including all EU countries), unless an exception (such as the rule of the shorter term) applies. Works still protected by copyright can only be used with the permission of the copyright holder. See public domain for details. This work may not be in the public domain in all countries. Please check the copyright laws of your country.
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Performances
Sheet Music
Scores
Publisher. Info.
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New York: Composers' Music Corporation, 1920. Plate C.M.C. 170.
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Copyright
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Purchase
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General Information
Work Title
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Letters From A Maine Farm
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Alternative. Title
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Composer
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Griffis, Elliot
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I-Catalogue NumberI-Cat. No.
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IEG 2
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Movements/SectionsMov'ts/Sec's
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7 pieces
- 1. Homage to MacDowell
- 2. The Spider at my Window
- 3. Woodchucks
- 4. The Music Box
- 5. The Girl on the Farm Below
- 6. The Sunlit Woods
- 7. A Forgotten Poem
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Year/Date of CompositionY/D of Comp.
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1920
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First Publication.
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1920
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Copyright Information
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This item, which is in the public domain in its country of origin, is likewise in the public domain in countries which apply the rule of the shorter term. All EU countries apply the rule of the shorter term in general. Note that in some cases this rule may be overridden by a treaty with the source country (especially the United States) and/or may not apply to works which fell into the public domain in their source country due to a failure to renew copyright or comply with other formalities.
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Dedication
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see below
- 1. To Dorothy Griffis
- 2. To Jiro Hiroaka
- 3. To Ralph Leopold
- 4. To Roger Wood
- 5. To Howland O. Walter
- 6. To Mme. Sara Sokolsky-Freid
- 7. To Harold Vinal (mispelled "Ninal" in 1st edition)
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Composer Time PeriodComp. Period
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Early 20th century
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Piece Style
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Early 20th century
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Instrumentation
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Piano
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Navigation etc.
A 1924 reprint from Composers Music Corporation added "Op. 9" to the title. When the work was revised for a 1952 reprint by Carl Fischer, the order of the movements was changed and the opus number was dropped.