Connecting Aecstasies (Torre, Salvador)

Contents

Performances

Recordings

MP3 file (audio)
SaTo (2017/8/29)

MP3 file (audio)
SaTo (2017/8/29)

MP3 file (audio)
SaTo (2017/8/29)

MP3 file (audio)
SaTo (2017/8/29)

MP3 file (audio)
SaTo (2017/8/29)

MP3 file (audio)
SaTo (2017/8/29)

MP3 file (audio)
SaTo (2017/8/29)

MP3 file (audio)
SaTo (2017/8/29)

Performers Salvador Torré
Publisher Info. Salvador Torré
Copyright
Misc. Notes Instructions: To play this work correctly on an 8-channel system, you only have to set the 8 channels (mono) by putting in order from channel 1 to 8 starting everyone at the beginning in any software that reproduces them. Then connect your system on 8 outputs or loudspeakers arranged in the form of a Sound Vault, surrounding the Audience that is placed and moves in the centre of the space. The speakers are in the periphery in the form of a Spatial Cube, on one side the speakers-channels 1,3,5,7 and on the other side the speakers 2,4,6,8.
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Sheet Music

Other

PDF typeset by composer
SaTo (2017/8/29)

Language English, Spanish
Publisher. Info. Salvador Torré
Copyright
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General Information

Work Title Connecting Aecstasies
Alternative. Title Connecting Aecstasies for 8 channels
Composer Torre, Salvador
Movements/SectionsMov'ts/Sec's 1
Year/Date of CompositionY/D of Comp. 2015
First Performance. 2015
Average DurationAvg. Duration 17 minutes
Composer Time PeriodComp. Period Modern
Piece Style Modern
Instrumentation electro-acoustic or acousmatic music (no score)
Extra Information Instructions: To play this work correctly on an 8-channel system, you only have to set the 8 channels (mono) by putting in order from channel 1 to 8, starting everyone at the beginning in any software that reproduces them. Then connect your system in 8 outputs-loudspeakers arranged in the form of a Sound Vault, surrounding the public that is placed and moves in the centre of the space. The speakers are in the periphery in the form of a spatial cube, on one side the speakers-channels 1,3,5,7 and on the other side the speakers 2,4,6,8.

Misc. Comments

Connecting Aecstasies for 8 channels. Are stereotypes that eventually become Styles?, Was it profane music that inspired the sacred music, or the opposite?. It is the idea of this piece by use of material from the now a days current "profane" music with its means of production, as a pretext to establish a system of musical games, or incidental entertainment on the "Drum & Bass" style placed in space Multichannel exploring densities, masses, textures, abrupt cuts, overlapping, torsions, stretches, stratified polyrhythms in a carefree speech saturated with spatial trajectories for the pure pleasure of being surrounded by the sound itself. The protagonist is, in this days technology, a cell phone from which emerged all sounds of this piece. S.T.