Lola, Op.116 (Saint-Saëns, Camille)

Movements/SectionsMov'ts/Sec's	1 act in 5 scenes
Composition Year	1900
Genre Categories	Operas; Theatrical Works; For 2 voices, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; French language; For 2 voices, orchestra (arr); For voices with orchestra (arr); Scores featuring the voice (arr); Scores featuring the orchestra (arr)

Sheet Music

Scores

Complete Score
*#24748 - 2.80MB, 28 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/C - 1745×⇩ - Goldberg988

PDF scanned by Goldberg988
Goldberg988 (2008/11/23)

Language	French
Publisher. Info.	Paris: A. Durand & Fils, 1901. Plate D. & F. 5823.
Copyright	Public Domain [tag/del]
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Arrangements and Transcriptions

For 2 Voices and Orchestra (Koechlin)

Complete Score
*#84878 - 9.96MB, 81 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/C - 527×⇩ - Daphnis

PDF scanned by Unknown
Daphnis (2010/11/15)

Arranger	Charles Koechlin (1867–1950)
Publisher. Info.	Paris: Durand, 1901. Plate D. & F. 5823.
Copyright	Public Domain [tag/del]
Misc. Notes	Manuscript by Charles Koechlin (Orchestration).
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Libretto

Libretto
*#670428 - 1.12MB, 23 pp. - 0.0/10 2 4 6 8 10 (-) - V/V/V - 10×⇩ - Peter

PDF scanned by US-R
Peter (2021/1/17)

Publisher. Info.	Paris: Calmann Lévy, 1901.
Copyright	Public Domain [tag/del]
Misc. Notes	This file is part of the Sibley Mirroring Project.
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General Information

Work Title	Lola: scène dramatique à deux personnages par Stéfan Bordèse
Alternative. Title
Composer	Saint-Saëns, Camille
Opus/Catalogue NumberOp./Cat. No.	Op.116
I-Catalogue NumberI-Cat. No.	ICS 120
Movements/SectionsMov'ts/Sec's	1 act in 5 scenes
Year/Date of CompositionY/D of Comp.	1900
First Publication.	1901
Librettist	Stéphan Bordèse (1847-1919)
Language	French
Dedication	Madame Henri Lavedan
Composer Time PeriodComp. Period	Romantic
Piece Style	Romantic
Instrumentation	2 voices, piano

Navigation etc.

Orchestration by Koechlin in February 1901 after Fauré recommended Koechlin to Durand for the task (Orledge, Charles Koechlin (1867-1950): His Life and Works, page 24.)