Le midi, H 14/13 (Field, John)

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Version C, H 14E-K/13K-O

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IgorCello (2021/1/4)

Publisher. Info. Moscow: K. Maykov, n.d.(ca.1842-1850).
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Massenetique (2011/9/29)

Publisher. Info. Moscow: P. Jurgenson, n.d.[1872]. Plate 1878.
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Misc. Notes Re-issue of Maykov's plates
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Rondo (No.2, Version C, H 13K-O)

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Fynnjamin (2021/12/28)

Editor First edition
Publisher. Info. London: Collard & Collard, n.d.[1832]. Plate 3654.
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Misc. Notes "Twelve O'Clock, the celebrated Rondo, played by his pupil, Miss Jonas, at the author's concert, on Wednesday the 30th. of May, 1832, at the Great Concert Room, King's Theatre, for the Piano Forte, composed by John Field"
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Fynnjamin (2021/12/28)

Publisher. Info. Paris: Schlesinger, n.d.[1833]. Plate M.S. 1386.
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Misc. Notes "Midi Nocturne Caracteristique compose et Execute a Paris par John Field"
Midi, Rondo de Field
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General Information

Work Title Le midi
Alternative. Title Rondeau précédé d'une pastorale
Composer Field, John
Opus/Catalogue NumberOp./Cat. No. H 14A-D/13A-I A
H 14E-F,H/13A-I B
H 14I-K/13K-O C (quartet arrangement: H 14L/13R C)
I-Catalogue NumberI-Cat. No. IJF 5
Key A major - E major
Movements/SectionsMov'ts/Sec's 2 movements A:
  1. Pastorale. Andante (A major, 96 bars)
  2. Moderato (E major, 305 bars)

2 movements B:

  1. Pastorale. Andante (A major, 62 bars)
  2. Moderato (E major, 305 bars)

2 movements C:

  1. Pastorale. Andante (A major, 58 bars)
  2. Le midi. Allegro (E major, 256 bars)
Year/Date of CompositionY/D of Comp. 1810-11 ca. A
1815 ca. B
1831/32 in London C
First Publication. 1810 – Moscow: Charles Elbert AB (H 13A-I)
1811 – Moscow: Charles Elbert A (H 14A-D)
1815 – Leipzig: Breitkopf und Härtel B (H 14E-F,H)
1832 (Summer) – London: Collard C (H 13K-O)
1832-33 – London: Collard C (H 14I-K)
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation piano
Extra Information For more information about the complex composition history of this work and its movements, see here.
An arrangement for 2 violins, viola and double bass of version C was published by Ricordi in 1832 or 1833, but its authenticity is doubtful.