Fest- Bus- und Danck-Lieder (Hammerschmidt, Andreas)

Movements/SectionsMov'ts/Sec's 32 sacred songs
First Publication 1658-1659
Genre Categories Sacred songs; Religious works; Songs; For 5 voices, mixed chorus, 3 trombones, 2 violins, continuo; Scores featuring the voice; Scores featuring the soprano voice; Scores featuring the alto voice; Scores featuring the tenor voice; Scores featuring the bass voice; Scores featuring mixed chorus; Scores featuring the trombone; Scores featuring the violin; Scores with basso continuo; For voices and chorus with solo instruments; For 5 voices, continuo; For voices with continuo; German language

Sheet Music

Parts

 Erste Stimme
#664854 - 6.61MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 24×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

⇒ 8 more: Andere Stimme • Dritte Stimme • Vierdte Stimme • Funffte Stimme • Sechste Stimme • Siebende Stimme • Achte Stimme. Violone • Neunte und letzte Stimme. Continuus

 Andere Stimme
#664855 - 6.52MB, 23 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 15×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

 Dritte Stimme
#664856 - 27.80MB, 81 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 10×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

 Vierdte Stimme
#664857 - 29.54MB, 80 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 8×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

 Funffte Stimme
#664858 - 19.44MB, 55 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 8×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

 Sechste Stimme
#664859 - 22.67MB, 60 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 6×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

 Siebende Stimme
#664860 - 19.98MB, 62 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 8×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

 Achte Stimme. Violone
#664861 - 9.46MB, 35 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 13×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

 Neunte und letzte Stimme. Continuus
#664862 - 10.01MB, 36 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 12×⇩ - Fynnjamin

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Fynnjamin (2020/12/20)

Publisher. Info. Zittau: Zach. Schneider; Christian Berger, 1658-1659.
Copyright
Public Domain [tag/del/mrg]
Misc. Notes Dritte Stimme has an engraved title-page (dated 1659) and contains the dedication.
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 Erste Stimme
#493576 - 12.40MB, 43 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 46×⇩ - Fynnjamin

PDF scanned by D-Mbs
Fynnjamin (2017/9/19)

 Sechste Stimme
#493577 - 21.78MB, 118 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 20×⇩ - Fynnjamin

PDF scanned by D-Mbs
Fynnjamin (2017/9/19)

 Siebende Stimme
#493578 - 22.46MB, 123 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 19×⇩ - Fynnjamin

PDF scanned by D-Mbs
Fynnjamin (2017/9/19)

Publisher. Info. Zittau: Zach. Schneider, Christian Berger, 1658.
Copyright
Public Domain [tag/del/mrg]
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General Information

Work Title Fest-, Buß- und Danklieder
Alternative. Title Fest- Bus- und Danck-Lieder, mit 5. Vocal Stimmen, und 5. Instr. nach beliebung, nebenst dem Basso Continuo
Andreas Hammerschmids Dritte Theil Fest Buß und Dancklieder mit 5 und 10 Stimmen
Composer Hammerschmidt, Andreas
I-Catalogue NumberI-Cat. No. None [force assignment]
Movements/SectionsMov'ts/Sec's 32 sacred songs
Nos.1-27 are for 5 voices, 5 ad lib. instruments, continuo; 28-32, see below for individual voicings/instruments
  1. Jesu meine Freude [SSATB, 2 violins, 3 instruments ATB, continuo]
  2. Jesu du mein liebtes Leben
  3. Herr Jesu auß Barmherzigkeit
  4. Meinen Jesum laß Ich nicht
  5. Jesu Jesu du mein Hirt
  6. Mein Herr Jesu höchster Hort
  7. Frisch auff und last uns singen
  8. Jesu O du Lebens Quell
  9. Ach wie flüchtig / ach wie nichtig [SSATB, recorder, treble instrument (probably recorder), 3tbn, continuo]
  10. Jesu dein wil Ich senn [SSATB, 2 violins, 3 trombones, continuo]
  11. Ich bleib O Jesu ganz der deine [SSATB, 2 violins, 3 instruments ATB, continuo]
  12. Jauchzet ihr Himmel [SSATB, 2 trumpets, trombone, 2 instruments AT (probably trombones), continuo]
  13. Jesu hilff das Ich mit Schmerzen [SSATB, 2 violins, 3 instruments ATB, continuo]
  14. Getreuer Gott und Vater [SSATB, 2 violins, 3 instruments ATB, continuo]
  15. Hosianna Davids Sohne [SSATB, 2 violins, 3 instruments ATB, continuo]
  16. Sei wilkommen Jesulein [SSATB, 2 violins, 3 instruments ATB, continuo]
  17. Jesu mein Freud und Wonne [SSATB, 2 violins, 3 instruments ATB, continuo]
  18. Mein herz ist dir mein Gott allzeit [SSATB, 2 violins, 3 instruments ATB, continuo]
  19. Meine seele Gott erhebt [SSATB, 2 violins, 3 instruments ATB, continuo]
  20. Christen Christum zu betrachten [SSATB, 2 recorders, 3 instruments ATB, continuo]
  21. Biß hin an deß Kreuzes stamm [SSATB, 2 violins, 3 instruments ATB, continuo]
  22. Triumph Triumph Victoria [SSATB, 2 trumpets, 3 instruments ATB, continuo]
  23. Ach Jesu meiner Seelen Freude [SSATB, 2 violins, 3 instruments ATB, continuo]
  24. Schmücket das Fest mit Maien [SSATB, 2 violins, 3 instruments ATB, continuo]
  25. Ermuntert euch ihr müden Seelen [SSATB, 2 violins, 3 instruments ATB, continuo]
  26. Schaue Jesu, Schau von Himmel [SSATB, 2 violins, 3 instruments ATB, continuo]
  27. Ach weh mir armen Sünder [SSATB, 2 violins, 3 instruments ATB, continuo]
  28. So war als Ich Gott Lebe [bass solo, 3 violins, 3 trombones, continuo]
  29. Ach wie gern wolt Ich dich Preusen [SSATB, 2 violins, ATB, continuo]
  30. Lobet den Herren mit ewigen Ruhm [SS, 3 violins, viola, violone/harpsichord, continuo]
  31. Jesu meine Sohne [SS, 3 violins, viola, violone/harpsichord, continuo]
  32. Auf meine Seele auf [SS, 3 violins, viola, violone/harpsichord, continuo]
First Publication. 1658-1659
Librettist Johann Franck, Johann Rist, Georg Weber, Christian Keymann, Christian Gueinzius, Schottelius, Mich. Theoph. Lehmann, Michael Franck, Ostermann, Paul Tscherning, Johann Frentzel, Harszdoerffer, Constantin Christian Dedekind, Daniel Tzschepki, Georg Schirmer, Dorothea Schmiel(in), composer
Language German
Dedication Magdalena Sibylla, Herzogin zu Sachsen, Jülich, Kleve und Berg etc.
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation see above list, and discussion below.

Navigation etc.

Hammerschmidt writes that the voices may be doubled at the points marked "omnes". Some instrumental parts are found within the ATB vocal parts, and are mostly unlabelled. In no.8, the first of these parts is labelled "flauto", the secondm also a treble instrument, is probably also for recorder, although it is unmarked. In all other pieces, these instruments are notated in alto, tenor and bass clefs respectively. Trombones, violas, or viols could be considered for the alto and tenor parts, while the bass parts could be taken by bass trombone, bassoon or violone, to name a few possibilities. The violone & basso continuo parts are identical, and the violone doesn't seem to be counted among the 'instruments à 5'.

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