2 Songs, Op.83 (Fauré, Gabriel)

Movements/SectionsMov'ts/Sec's 2 songs
Composition Year 1894
Genre Categories Melodies; Songs; For voice, piano; For voices with keyboard; Scores featuring the voice; Scores featuring the piano; French language; For violin, piano (arr); For 2 players (arr); Scores featuring the violin (arr); Scores featuring the piano (arr)

Contents

Performances

Recordings

 1. Prison (EU)
#518042 - 2.47MB - 1:51 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 1376×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/4/3)

 2. Soir (EU)
#518043 - 2.84MB - 2:07 -  0.0/10 2 4 6 8 10 (-) - V/67/V - 492×⇩ - MP3 - Vangi

MP3 file (audio)
Vangi (2018/4/3)

Performer Pages Pierre Maillard-Verger (piano)
Publisher Info. Club National du Disque 191, 1960.
Performers Camille Maurane (voice)
Copyright
Creative Commons Zero 1.0 - Non-PD US [tag/del]
Misc. Notes Teléchargement

Enregistrements sonores

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TN-PMLP473270-01 Mélodies, op. 4 no. 1 -Chanson du pêcheur- CND 191-3413.jpg

Naxos

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Sheet Music

Scores

 Complete Score
#905915 - 0.57MB, 7 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 17×⇩ - Pnorcks

PDF scanned by Hathitrust
Pnorcks (2024/3/23)

Publisher. Info. Paris: E. Fromont, n.d.[1896]. Plates E. 1343-44 F.
Copyright
Public Domain [tag/del]
Misc. Notes This edition prints incorrect opus numbers for the songs: Op.51 No.1 for Prison, and Op.68 No.2 for Soir. The time signature for Prison is mistakenly engraved as 2/4 instead of 3/4.
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 Complete Score
#24130 - 0.24MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 7262×⇩ - Daphnis

PDF scanned by Unknown
Daphnis (2008/11/9)

Publisher. Info. Mélodies (Vol.3, Edition A for medium voice, pp.61-66)
Paris: J. Hamelle, n.d. Plate J. 5469 H.
Reprinted Unidentified Publisher, n.d.
Copyright
Public Domain [tag/del]
Misc. Notes After a score comparison, this scan is likely a reprint of the edition from Mélodies (Vol.3, medium voice), not a republication of the Fromont edition. The original Fromont edition does not have the two bound together and was sold separately, so this cannot be a republication of the original directly. (And then the typeface of the titles indicates it's probably a republication of the collected edition, the first of which in Op.83's case was only published in the late 1890s anyway.) BNF has "DL 1896".
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 2. Soir
#75452 - 1.07MB, 5 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 2089×⇩ - OscarJaume

PDF scanned by Unknown
OscarJaume (2010/8/18)

Publisher. Info. Paris: L´Illustration, 1896, Supplément Musical au No.2773.
Copyright
Public Domain [tag/del]
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 2. Soir
#326701 - 1.44MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/C - 499×⇩ - Wilson Music Lib.

PDF scanned by US-Nau
Wilson Music Lib. (2014/5/28)

Editor Henry Clough-Leighter (1874-1956)
Language English / French
Translator John Gold Fletcher (1886–1950), English text
Publisher. Info. Boston: Boston Music Co., 1915. Plate B.M.Co. 4724.
Copyright
Public Domain [tag/del]
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 Complete Score
#864987 - 0.96MB, 6 pp. -  0.0/10 2 4 6 8 10 (-) - !N/!N/!N - 286×⇩ - Maxime.zuliani

PDF typeset by editor
Maxime.zuliani (2023/7/16)

Editor Maxime Zuliani (b. 1987)
Publisher. Info. Maxime Zuliani, 2023.
Copyright
Creative Commons Attribution-ShareAlike 4.0 [tag/del]
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Arrangements and Transcriptions

Soir (No.2)

For Violin and Piano (Stoessel)

 Complete Score and part
#711791 - 5.64MB, 9 pp. -  0.0/10 2 4 6 8 10 (-) - V/V/V - 31×⇩ - Schalltrichter

PDF scanned by Hathitrust
Schalltrichter (2021/6/26)

Arranger Albert Stoessel (1894-1943)
Publisher. Info. Boston: Boston Music Co., 1916. Plate 5255.
Copyright
Public Domain [tag/del]
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General Information

Work Title 2 Songs
Alternative. Title Mélodies
Composer Fauré, Gabriel
Opus/Catalogue NumberOp./Cat. No. Op.83
I-Catalogue NumberI-Cat. No. IGF 108
Movements/SectionsMov'ts/Sec's 2 songs:
  1. Prison
  2. Soir
Year/Date of CompositionY/D of Comp. 1894
First Publication. 1896
Librettist see below
  1. Paul Verlaine (1844-1896)
  2. Albert Victor Samain (1858-1900)
Language French
Composer Time PeriodComp. Period Romantic
Piece Style Romantic
Instrumentation voice, piano
Extra Information Republished as mélodies within Fauré's lifetime (in fact within a few years of initial publication.)
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