Er rufet seinen Schafen mit Namen, BWV 175 (Bach, Johann Sebastian)

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Performances

Naxos

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Synthesized/MIDI

Aria: 'Es dünket mich ich seh dich kommen' (No.4)

For Trumpet and Organ (Rondeau)

MP3 file (audio)
Michrond (2016/4/20)

Publisher Info. Michel Rondeau
Performers MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Aria: Öffnet euch, ihr beiden Ohren (No.6)

For Trumpet and Organ (Rondeau)

MP3 file (audio)
Michrond (2015/10/3)

Publisher Info. Michel Rondeau
Performers MIDI
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Sheet Music

Full Scores

PDF scanned by Bach Digital
Jun T (2015/9/26)

Publisher. Info. Holograph manuscript, 1725.
Copyright
Misc. Notes Staatsbibliothek zu Berlin (D-B): Mus.ms. Bach P 75
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PDF scanned by Unknown
Feldmahler (2006/8/30)

Editor Alfred Dörffel (1821–1905)
Publisher. Info. Bach-Gesellschaft Ausgabe, Band 35
Leipzig: Breitkopf und Härtel, 1888. Plate B.W. XXXV.
Copyright
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PDF scanned by Sallen112
Sallen112 (2017/6/12)

Editor Alfred Dürr (1918–2011)
Arthur Mendel (1905-1979)
Publisher. Info. Neue Bach-Ausgabe, Serie I. Kantaten, Band 14. Kantaten zum 2. und 3. Pfingsttag (pp.146-164)
Kassel: Bärenreiter Verlag, 1962. Plate BA 5019.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

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Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Parts

Version 1

Aria: Es dünket mich, ich seh dich kommen (No.4)

PDF scanned by Sallen112
Sallen112 (2017/6/12)

Editor Alfred Dürr (1918–2011)
Arthur Mendel (1905-1979)
Publisher. Info. Neue Bach-Ausgabe, Serie I. Kantaten, Band 14. Kantaten zum 2. und 3. Pfingsttag (pp.165)
Kassel: Bärenreiter Verlag, 1962. Plate BA 5019.
URTEXT EDITION 

This is an urtext/critical/scholarly/scientific edition (or a simple re-engraving). Any commentary or critical apparatus, if protected by copyright, should not be included in the scan(s) available here. This edition was published by Bärenreiter in Germany over 25 years ago and is in the public domain in its country of origin.

In Canada, new editions/re-engravings of public domain works (when not including new original material) should be in the public domain due to failing to meet the threshold of originality. In most European Union countries, these editions (except new original material) are generally protected for no more than 25 years from publication (30 years in Poland). In the United States, copyright can only apply to new creative work, and the re-engraving of a public domain piece (not including new additions of creative material) should not qualify for a new copyright, despite copyright claims (which properly would only apply to new material).

You may need to check the publication date and details of the work's first publication in order to determine the work's copyright status, especially for the United States.

More information can be found here.
Please obey the copyright laws of your country. IMSLP does not assume any sort of legal responsibility or liability for the consequences of downloading files that are not in the public domain in your country.
Copyright
Misc. Notes 600 dpi. Page size is 10.00 x 12.688 inches.
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Vocal Scores

PDF scanned by US-R
Carolus (2012/11/13)

PDF scanned by bh2000
Perlnerd666 (2008/11/15)

Arranger Bernhard Todt (1822–1907) ?
Publisher. Info. Leipzig: Breitkopf und Härtel, 1895. Plate J.S.B.I. 175.
Copyright
Misc. Notes This file is part of the Sibley Mirroring Project.
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Arrangements and Transcriptions

Aria: 'Es dünket mich ich seh dich kommen' (No.4)

For Trumpet and Organ (Rondeau)

PDF typeset by arranger
Michrond (2016/4/20)

ZIP typeset by arranger
Michrond (2016/4/20)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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Aria: 'Öffnet euch, ihr beiden Ohren' (No.6)

For Trumpet and Organ (Rondeau)

PDF typeset by arranger
Michrond (2015/10/3)

ZIP typeset by arranger
Michrond (2015/10/3)

Arranger Michel Rondeau
Publisher. Info. Michel Rondeau
Copyright
Misc. Notes These file(s) are part of the Werner Icking Music Collection.
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General Information

Work Title Er rufet seinen Schafen mit Namen
Alternative. Title He calls His sheep by name
Authorities WorldCat; Wikipedia; VIAF: 177410773; LCCN: n82163427; GND: 300008783; BNF: 139095282
Composer Bach, Johann Sebastian
Opus/Catalogue NumberOp./Cat. No. BWV 175 ; BC A89
I-Catalogue NumberI-Cat. No. IJB 121
Key G major
Movements/SectionsMov'ts/Sec's 7 sections
  1. Recitative (tenor): Er rufet seinen Schafen mit Namen
  2. Aria (alto): Komm, leite mich
  3. Recitative (tenor): Wo find ich dich?
  4. Aria (tenor): Es dünket mich, ich seh dich kommen
  5. Recitative (alto, bass): Sie vernahmen aber nicht
  6. Aria (bass): Öffnet euch, ihr beiden Ohren
  7. Chorale: Nun, werter Geist, ich folg dir
Year/Date of CompositionY/D of Comp. 1725 in Leipzig
First Performance. 1725-05-22 in Leipzig
First Publication. 1888 (BGA)
Librettist see below
John 10: 3 (No.1)
Christiana Mariana von Ziegler (1695-1760) (Nos.2-5)
John 10: 6 (No.5)
Anonymous? (No.6)
Johann Rist (1607-1667) (No.7)
Language German
Dedication 3rd day of Pentecost (Whit Tuesday)
Composer Time PeriodComp. Period Baroque
Piece Style Baroque
Instrumentation Voices: alto, tenor, bass; mixed chorus (SATB)
Orchestra: 3 recorders, 2 trumpets, 2 violins, viola, violoncello piccolo, continuo (harpsichord and/or organ)
Manuscript Sources Bach Digital (source list)
External Links Wikipedia article
Bach-Cantatas.com

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Cantatas by Johann Sebastian Bach